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I am revisiting this (and 10/2) nowadays and I really appreciate your playing. This is one of the etudes that require utmost concentration. And yes some of the arpeggios are really very awkward (with the original fingering of course).
Registered: 08/28/07
Posts: 414
Loc: San Diego, CA
Yeah, I'm going to play 10/1 and 10/2 back to back. It is difficult enough to pull off while I'm practicing -- and even more difficult live in front of an audience but I think I'm getting there.
Registered: 08/28/07
Posts: 414
Loc: San Diego, CA
Oh and Damon, the Op. 10 set I posted before was done in a recording studio. More specifically the 10/1 in that set was compiled from 3 different takes (haha). And it was actually slower than this recording.
This recording was done at home on my new Steinway and done in 1 take. I'll post another one where I play 10/1 and 10/2 back to back.
carey
3000 Post Club Member
Registered: 05/13/05
Posts: 3961
Loc: Phoenix, Arizona
Originally Posted By: fuzzy8balls
Oh and Damon, the Op. 10 set I posted before was done in a recording studio. More specifically the 10/1 in that set was compiled from 3 different takes (haha). And it was actually slower than this recording.
This recording was done at home on my new Steinway and done in 1 take. I'll post another one where I play 10/1 and 10/2 back to back.
One take played almost perfectly is a quantum leap over three slower renditions pieced together !!! Good luck with this !!
Registered: 09/22/06
Posts: 4478
Loc: St. Louis area
Originally Posted By: fuzzy8balls
Oh and Damon, the Op. 10 set I posted before was done in a recording studio. More specifically the 10/1 in that set was compiled from 3 different takes (haha). And it was actually slower than this recording.
This recording was done at home on my new Steinway and done in 1 take. I'll post another one where I play 10/1 and 10/2 back to back.
Yes I found the old recording and this is much improved. The older one had every other note accented and this one is much smoother. However, the audio on the old one is much better. What did you use to record this? It sounds muffled in comparison to your old track. (just curious)
Registered: 08/28/07
Posts: 414
Loc: San Diego, CA
I bought a Zoom H4n portable recorder and I have started recording a lot of my practicing. It will sound muffled most likely because the lid on my piano is down and I have a cover over it. Which is okay, I'm not too terribly concerned with audio quality -- I just need to know how I sound like right after I play and the UI on this device is pretty handy for playback.
Registered: 08/28/07
Posts: 414
Loc: San Diego, CA
Argerich's version is a bit *too* fast but quite impressive nonetheless. She rushes the 4th beat a lot but I prefer Nicolay -- I think this is probably the best live performance I've ever seen:
stores
5000 Post Club Member
Registered: 12/28/09
Posts: 5782
Loc: Here, as opposed to there
Originally Posted By: Hakki
And here is our benchmark:
regards,
Argerich Smargerich.
HERE is THE benchmark.
_________________________
"And if we look at the works of J.S. Bach — a benevolent god to which all musicians should offer a prayer to defend themselves against mediocrity... -Debussy
"It's ok if you disagree with me. I can't force you to be right."
Argerich's version is a bit *too* fast but quite impressive nonetheless. She rushes the 4th beat a lot but I prefer Nicolay -- I think this is probably the best live performance I've ever seen:
He smudges a note at around 1:09.
And, as keyboardklutz would say, "Where are the accents?". Also, I really don't like how everyone these days seems to play the bass fortissimo - it's ugly and not very Chopinesque, IMO.
Synival
Full Member
Registered: 04/04/07
Posts: 30
Loc: Monmouth, OR
Sounds very good indeed Having just practiced this etude for hours this morning, I understand about the awkward passages :-/ The (C7 -> Cm7b5 -> F7 -> Abm) passage stretches my hand in ways I would prefer it not to be stretched.
Well, first off, congratulations for handling this very difficult Étude. I don't know if you'd mind I'd say something, hoping it might help you, and i have tendency to do this myself. After you accented the first note of each group of 4, your next note is so weak that it's almost none existent and cuts a bit the flow. I know, easy said than done! Especially at a high speed. but just thought i'd mention. My personal preference on YouTube is Kissin's interpretation, love his L.H. Best of luck on your performance!
Registered: 08/28/07
Posts: 414
Loc: San Diego, CA
Hi guy, yes I am very much aware of the second note in the group of 16ths. Thanks for pointing it out to me. Going up it's usually ok (because it's the thumb that plays), but coming down is where I have the problems. I think it's because my 4th finger is lazy -- especially where the interval is a major or minor second between 4/5. It seems like the smaller the interval, the harder it is to control between 4 and 5. But if it's larger like a minor/major third or even fourths, the spacing makes it a bit easier for fingers 4 & 5. Still a WIP but I will upload recordings of each round (prelim, semi, final) as we get closer to May.